Die bitteren Tränen der Petra von Kant 1972 - Director: Rainer Werner Fassbinder
Margit Carstensen, Hanna Schygulla, Irm Hermann, Katrin Schaake, Eva Mattes, Gisela Fackeldey
Die bitteren Tränen der Petra von Kant 1972 […more Images]
The successful fashion designer Petra von Kant (Margit Carstensen) lives in an opulently furnished loft with her assistant and servant Marlene (Irm Hermann) who executes all her orders without a word and who endures all her moods. Petra – with a daughter (Eva Mattes) from her first marriage and divorced from her second husband – falls in love with Karin (Hanna Schygulla), ten years her junior, whom she wants all to herself. While Karin exploits the affluent Petra, she also insists on her own independence. When Karin’s husband arrives unexpectedly from Australia, she returns to him. Petra is desperate. Bit by bit she begins to understand: “I have never loved Karin, I only wanted to own her.” Petra then offers Marlene – heretofore treated like an object – collaboration, liberty, fun. But Marlene packs her suitcase and leaves without a word.fassbinderfoundation.de

Die bitteren Tränen der Petra von Kant 1972 - Director: Rainer Werner Fassbinder

Margit Carstensen, Hanna Schygulla, Irm Hermann, Katrin Schaake, Eva Mattes, Gisela Fackeldey

Die bitteren Tränen der Petra von Kant 1972 […more Images]

The successful fashion designer Petra von Kant (Margit Carstensen) lives in an opulently furnished loft with her assistant and servant Marlene (Irm Hermann) who executes all her orders without a word and who endures all her moods. Petra – with a daughter (Eva Mattes) from her first marriage and divorced from her second husband – falls in love with Karin (Hanna Schygulla), ten years her junior, whom she wants all to herself. While Karin exploits the affluent Petra, she also insists on her own independence. When Karin’s husband arrives unexpectedly from Australia, she returns to him. Petra is desperate. Bit by bit she begins to understand: “I have never loved Karin, I only wanted to own her.” Petra then offers Marlene – heretofore treated like an object – collaboration, liberty, fun. But Marlene packs her suitcase and leaves without a word.fassbinderfoundation.de